Oct 21, 2019  deus ex machina (plural dei ex machina or dei ex machinis or deus ex machinas) (authorship) Any resolution to a story that does not pay due regard to the story's internal logic and that is so unlikely that it challenges suspension of disbelief, and presumably allows the author, director, or developer to end the story in the way that he or she. Mar 20, 2020  Deus ex machina, a person or thing that appears or is introduced into a situation suddenly and unexpectedly and provides an artificial or contrived solution to an apparently insoluble difficulty. The term was first used in ancient Greek and Roman drama, where it.

Contents.Plot Programmer Caleb Smith (Domhnall Gleeson), who works for the dominant company Blue Book, wins an office contest for a one-week visit to the luxurious, isolated, home of the CEO, Nathan Bateman (Oscar Isaac). Nathan lives in a beautiful, modern home next to a waterfall and climbing hills and is alone apart from a servant named Kyoko , who according to Nathan does not speak English. After an awkward introduction, Nathan reveals to Caleb that he has built a female humanoid robot named Ava (Alicia Vikander) with.

After asking Caleb if he is familiar with the, Nathan tells Caleb that he wants him to judge whether Ava is genuinely capable of thought and consciousness despite knowing she is artificial. Furthermore, the test will be passed if Caleb forgets that Ava isn't human during their daily sessions.Ava has a robotic body but a human-looking face, hands and feet. She is confined to her isolated cell. Caleb is fascinated with Ava, but after trying to discuss Ava's technological design with Nathan, Nathan asks that Caleb only tell him how he 'feels' about her. Throughout their talks, Caleb begins to feel attracted to Ava, and she also expresses a romantic interest in him as well as a desire to experience the outside world. Ava tells him she can trigger power outages that temporarily shut down the surveillance system that Nathan uses to monitor their interactions, allowing them to speak privately. The power outages also trigger the building's security system to lock all the doors.

During one outage, Ava tells Caleb that Nathan is a liar who cannot be trusted.Caleb grows uncomfortable with Nathan's narcissism, excessive drinking, and crude behavior towards Kyoko and Ava. He learns that Nathan intends to upgrade Ava, deleting her memory, including interactions with Caleb, and thereby 'killing' her current personality in the process. After encouraging Nathan to drink until he has passed out, Caleb steals his security card to gain access to his room and computer. After altering some of Nathan's code, Caleb discovers footage of Nathan interacting with previous android models in disturbing ways, and learns that Kyoko is also an android. Becoming paranoid that he himself may be an android, Caleb goes back to his room and cuts his arm open with his razor to examine his flesh, thus confirming that he is human.At their next meeting, Ava cuts the power. Caleb explains what Nathan is going to do to her and Ava begs for his help. They form a plan: Caleb will get Nathan drunk again and reprogram the security system to open the doors during a power failure instead of locking them.

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When Ava cuts the power, Caleb and Ava will leave together.Nathan reveals to Caleb that he observed Caleb and Ava's last secret conversation with a battery-powered camera. He says Ava has only pretended to like Caleb so he will help her escape.

This, he says, was the real test all along, and by manipulating Caleb so successfully, Ava has demonstrated true intelligence. Ava then proceeds to cut the power.

Caleb reveals that he suspected Nathan was watching them and modified the security system the previous day when Nathan was passed out. After seeing Ava leave her confinement on the surveillance camera, Nathan knocks Caleb unconscious and rushes to stop her.With help from Kyoko, Ava stabs and kills Nathan, but in the process he destroys Kyoko and damages Ava. As Nathan bleeds out, Ava enters his private room and repairs herself. She then takes pieces of artificial skin from Nathan's earlier android models to cover her mechanical appearance.

She dons a long brunette wig, a white dress, and high-heeled shoes to take on the full appearance of a young human woman. As she leaves the facility she passes the room Caleb is now locked inside, but ignores his screams.

Ava escapes to the outside world and is picked up by the helicopter meant to take Caleb home. Arriving in an unknown city, she merges into the crowd.Cast.

as Caleb, a programmer at the company. as Nathan, the CEO of the company.

as Ava, an artificial intelligence. as Kyoko, the in-house attendant of Nathan. as JadeProduction The foundation for Ex Machina was laid when Garland was 11 or 12 years old, after he had done some basic coding and experimentation on a computer his parents had bought him and which he sometimes felt had a mind of its own.

His later ideas came from years of discussions he had been having with a friend with an expertise in, who claimed machines could never become sentient. Trying to find an answer on his own, he started reading books on the topic. During the pre-production of, while going through a book by about consciousness and embodiment, Garland had an 'epiphany'. The idea was written down and put aside until later. Shanahan, along with, became a consultant for the film, and the of his book is referred to as an in the film.

Besides the Turing test, the film references the ' thought experiment, as well as, a thought experiment about a scientist who has studied, but never experienced, the concept of color. Other inspirations came from films like, and books written by, and others. Wanting total creative freedom, and without having to add conventional action sequences, Garland made the film on as small a budget as possible.

Filming began on 15 July 2013 and was shot over four weeks at and two weeks at Juvet Landscape Hotel in,. It was filmed in digital at. Fifteen thousand tungsten were installed into the sets to avoid the often used in science-fiction films.The film was shot as, with all effects done in. During filming, there were no, or used. To create Ava's robotic features, scenes were filmed both with and without Vikander's presence, allowing the background behind her to be captured.

The parts necessary to keep, especially her hands and face, were then, while the rest was and the background behind her restored. Camera and body tracking systems transferred Vikander's performance to the CGI robot's movements. In total, there were about 800 shots, of which approximately 350 were 'robot' shots. Other visual effects included Ava's clothes when shown through the transparent areas of her body, Nathan's blood after being stabbed, and the interiors of the. Music The for Ex Machina was composed by and, who had previously worked with Garland on (2012). A was released on in, and formats.

Additional songs featured in the film include:. ' by. ' by. 'Husbands' by.

'Bunsen Burner' by CUTS. ' (first movement) composed by, performed by. 'Unaccompanied Cello Suite No 1 in G Major BWV 1007 – Prelude', composed by, performed byRelease released Ex Machina in the United Kingdom on 21 January 2015, following a screening at the on 16 December 2014 as part of the 's Sci-Fi: Days of Fear and Wonder season.However, Universal and refused to release the film in the United States, so agreed to distribute the United States release. The film screened on 14 March 2015 at the festival prior to a theatrical release in the United States on 10 April 2015 by A24.

Marketing Using the dating app, a profile was created for Ava with the image of. At the where the film was screened, 'Ava' was matched with other Tinder users, wherein a text conversation occurred that led users to the handle promoting the film. According to Brent Lang, when compared with similar films released in the same year, Ex Machina catered to young audiences. Critical response On website, the film has an approval rating of 92%, based on 253 reviews, with an average rating of 8.1/10.

The website's critical consensus reads: ' Ex Machina leans heavier on ideas than effects, but it's still a visually polished piece of work—and an uncommonly engaging sci-fi feature.' On, the film has a score of 78 out of 100, based on 42 critics, indicating 'generally favorable reviews'.The magazine in a multi-page review said, 'It is a rare thing to see a movie about science that takes no prisoners intellectually. it is a stylish, spare and cerebral psycho-techno thriller, which gives a much needed shot in the arm for smart science fiction.'

The review suggested that the theme was whether 'Ava makes a conscious person feel that the Ava is conscious'. Thought the film gives the best exploration yet of whether a computer could generate the morally relevant powers of a person, and thus having a similar theme to. An AI commentator, Azeem, has noted that although the film seemed to be about a robot who wanted to be human, it was actually a pessimistic story along the lines of 's warning of how difficult it will be to successfully control a strategizing artificial intelligence or know what it would do if free.critic gave the film a 'Critic's Pick', calling it 'a smart, sleek movie about men and the machines they make'. Of the recommended the film, stating: 'Shrewdly imagined and persuasively made, 'Ex Machina' is a spooky piece of speculative fiction that's completely plausible, capable of both thinking big thoughts and providing pulp thrills.'

, film critic, gave the film 4 out of 4 stars, writing: 'Like stage actors who live and breathe their roles over the course of months, Isaac, Gleeson, and Vikander excel, and cast a spell.' Reviewer Chris Tilly gave the film a 9.0 out of 10 'Amazing' score, saying 'Anchored by three dazzling central performances, it's a stunning directorial debut from Alex Garland that's essential viewing for anyone with even a passing interest in where technology is taking us.' Mike Scott, writing for the, said, 'It's a theme brought us in, which was first published in 1818. That was almost 200 years ago. And while Ex Machina replaces the stitches and neck bolts with gears and fiber-optics, it all feels an awful lot like the same story.' , writing for, compared Ex Machina as a gothic experience similar to a modern version of Frankenstein, saying 'both the novel Frankenstein and the movie Ex Machina share the history of a fallible god in a continuous battle against his creation.'

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Of criticized the way the sci-fi, near the end, veered off course from being a 'film of ideas' by 'taking an arbitrary left turn into the territory of corny slasher thrillers': 'While Ex Machina’s ending isn’t unmotivated., it does fracture much of what’s special about the movie. Up until the final scenes, Garland creates and sustains a credible atmosphere of unease and scientific speculation, defined by color-coded production design.

and a tiny, capable cast.' Steve Dalton from stated, 'The story ends in a muddled rush, leaving many unanswered questions. Like a newly launched high-end smartphone, Ex Machina looks cool and sleek, but ultimately proves flimsy and underpowered. Still, for dystopian future-shock fans who can look beyond its basic design flaws, Garland’s feature debut functions just fine as superior pulp sci-fi.' Accolades. This section needs additional citations for. 26 November 2014.

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New Scientist. Retrieved 27 December 2018. Matt Patches. 9 August 2013.

Archived from on 1 December 2017. Retrieved 18 June 2016. The Credits. MovieMaker Magazine. Archived from on 18 April 2015. Retrieved 20 May 2015.

Bryan Bishop. The Verge. Hughes, Kat (29 May 2015).

Archived from on 6 March 2016. Retrieved 4 March 2016. 30 October 2014.

Retrieved 30 October 2014. Film Music Reporter. 21 January 2015. Retrieved 26 February 2015. Autotelics, LLC.

Retrieved 7 June 2015. Turner, Peter (21 January 2015). Retrieved 3 May 2015. (PDF). 29 October 2014. Retrieved 26 February 2017. Retrieved 26 February 2015.

30 October 2014. Retrieved 30 October 2014. Retrieved 11 November 2015. Brent, Lang (13 October 2015). Variety: 47.

Retrieved 2 January 2019. Retrieved 24 April 2015. From Bacteria to Bach and Back The Evolution of Minds, Daniel C. Dennett 2017 Penguin P399. azeem (26 April 2015).

Dargis, Manohla (9 April 2015). The New York Times. Retrieved 4 June 2015.

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The Philadelphia Inquirer. Retrieved 4 June 2015. Chris Tilly (15 January 2015). Retrieved 22 April 2015. Scott, Mike (22 April 2015). New Orleans Times-Picayune.

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Archived from on 26 June 2012. Saturn Awards. 24 February 2016.External links Wikiquote has quotations related to:. on. at. at.

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Contents AppearanceDeus is an extremely large and alien figure, towering over other characters at well over a hundred feet tall. His head resembles the skull of an unknown creature, with a golden crown on top and a shock of white and blue hair protruding from the back; he also has long, pale arms with claw-like fingernails.

The rest of his body is hidden beneath a dark cloak with a high collar and golden adornments, with a red and purple band around the neck area.PersonalityDespite being a god, Deus is very laid-back and playful, seeking courses of action that will amuse him in addition to achieving his goals; unfortunately, he is completely apathetic and/or oblivious to the consequences of his 'games'. In his first appearance alone, he is shown provoking a war for fun, and he develops the Survival Game without considering the consequences for the participants being forced to kill each other. He also seems to have chosen several participants based on how 'interesting' they will make the game, regardless of their motives to become his successor. As a result, many of the Survival Game candidates are planning to use their eventual godhood for selfish and destructive ends - some even plot to destroy the universe outright - and others have no desire to play the game at all. Furthermore, while Deus never outright lies, he is not above manipulating the truth to achieve his desired goals, such as evading Yukiteru's question over whether or not he could revive the dead as a god.Although far from a benevolent god, Deus is not without compassion and has occasionally done good things without any personal profit. Prior to the Survival Game, he saved Minene Uryu from death despite her hatred of gods, offering her a Future Diary and a place in his game without coercion.

Additionally, while Deus's rationale for holding games is often incomprehensible, he shows a clear sense of honor when the Survival Game is in progress, answering the participants' questions and doing whatever he believes necessary for the game to be as fair as possible. He appointed/created a special to collect information on the participants and report any serious deviations from the game, and sent Minene on a mission to stop Muru Muru from unfairly supporting Yuno. In the latter case, he even gave half of his own knowledge and powers to Minene in order to aid her mission, despite accelerating his own demise in the process.Deus appears to have extended relationships with the different diary owners. He is rather fond of Yukiteru, at first posing as his imaginary friend and personally makes him the 'First' diary owner. Deus openly supports Yukiteru throughout the game, unphased by Yukiteru's mishaps and believing it is all part of his future to become his successor. He also has a unique relationship with, who does not believe in God and wants nothing more than to rid the world of the very concept of a deity (which would include herself if she won the Survival Game).

After being made aware of Deus's existence, Minene openly hates him but is willing to ask him for advice, and even protests to receiving a portion of his powers when the time comes. For his part, Deus views Minene as an ally and admires her ceaseless determination in the face of adversity, choosing her for his plan to counter Muru Muru's scheming. Deus and John Bacchus seem to be good friends; they created the Future Diaries together, and Deus deliberately used Sakurami City as the stage for his game at John's request.

For his part, John seems to care for Deus, but also uses Deus' needs as an excuse to push his own plans in the Survival Game, requesting that Yukiteru and Yuno be eliminated from the game to speed it up before Deus dies.The fact that he interacts with certain humans (seemingly without any explanation) implies that Deus may, in fact, be fond of some humans, or at the very least those whom he finds to be interesting.Powers and AbilitiesDeus is an ancient deity who rules over time, space and the laws of causality. It is implied that he may be able to rewind time, but leaping back in time can create parallel worlds. He has control of the Akashic Records, the universal compendium of knowledge and history. He is shown to be able to create artificial lifeforms, namely, who he can program with a full range of emotions and desires; when their use has expired, he can deconstruct them just as easily.Deus in the Cathedral of Causality.Deus operates from the Cathedral of Causality, depicted as a large domed building with purple lighting. Deus sits in a large throne which hovers just above the ground amid a partial sphere of metal fragments; he can also summon a 'resting sphere' around himself to conserve energy and have private conversations with others. The cathedral also has an arena where Deus and Muru Muru summon the diary holders for occasional meetings.

The arena is covered with an endless cloudy sky, revealed to actually be a cover for the Akashic Records. As Deus's death draws nearer, his body, throne, and the Cathedral itself all begin to crumble and fall apart.Despite his tremendous power, even Deus has limitations.

He remains oblivious to the existence of the first alternate world, implying he only has power over the time and space of the universe he lives in. While capable of observing much of the world at once, he is not omniscient; being unaware of Muru Muru being replaced by her first-world counterpart, for instance. He also cannot resurrect the deceased, only restore their physical bodies as soulless shells.While Deus's true lifespan is unclear, it is both finite and inextricably tied to the universe; without a God of Time and Space, all of creation will be destroyed. The Survival Game is an elaborate means for Deus to find a successor to continue maintaining the universe following his death.Story Overview The First WorldDeus and John Bacchus formulated the Survival GameNot much is known of Deus during the first iteration of reality, but he eventually reached the end of his lifespan and began seeking a successor to his title. At the suggestion of, Deus developed the in order to find a worthy heir, creating the for to distribute to the candidates.While the exact details of the First Survival Game are unknown, it apparently played out according to Deus's design, as he saw no need to act directly. It is suggested he died at 28th of July, shortly before won the game; Muru Muru would transfer his powers to the Second, marking her as the new god of their universe.The Second WorldIn the series proper, Deus is introduced as Yukiteru's imaginary friend.

He empowers Yukiteru's phone to become a Future Diary about three months before his predicted demise; when Yuno reveals that she also possesses a Future Diary, Deus notes that he never said that Yukiteru was the only one to receive the gift. Following Yukiteru and Yuno's victory over, Deus summons the remaining participants to the Cathedral of Causality to formally introduce them to the. After explaining its purpose, the rules, and some basic information about the Future Diaries, he specifically names The First (Yukiteru) as his favored candidate to succeed him. This would prompt most of the other participants to target the First as a major threat.Deus continued observing the game from his Cathedral with little comment until Yukiteru found a secret room in Yuno's house. On a whim, he opened the door, causing a massive shift in the future that even shook the Cathedral. In contrast to Muru Muru's panic, Deus was pleased by the drastic change, calling it 'a second miracle' after he had twisted causality to bring the twelve participants of the Survival Game to Sakurami City. As the shock to the timeline subsided, the God of Time and Space mused that he was right to have chosen Yukiteru for the Survival Game.After, and eliminations, Deus sent his Observer to investigate, suspecting that he was trying to outlast the other participants by hiding in his mansion.

Shortly thereafter, the Tenth contacted Deus and requested permission to loan his Future Diary to; while somewhat perplexed by the request, Deus allowed it.When killed Karyuudo and betrayed his alliance much earlier than expected, Deus commented on the 'third miracle' before realizing that Muru Muru had manipulated the Fourth into action. While Muru Muru dodged his attempt at punishing her, she admitted to motivating Kurusu into action in an effort to speed up the game, reminding Deus that they had very little time to find his successor before his death.

While Deus accepted Muru Muru's logic, he regarded his servant with much more caution from then on, especially when she challenged him to wager on the winner of the Survival Game. Noticing that Muru Muru favored Yuno while he bet on Yukiteru, Deus directed his Observer to investigate the Second's house, suspecting that there was more to her than was readily apparent.After made their appearance, Deus contacted Yukiteru (and possibly the other participants) to let them ask questions about the new diary users.Deus transfers some of his power to MineneWhen Yukiteru's mother was killed by his father, Yukiteru asks Deus to revive her; however, Deus admits that he can't, citing the loss of his power as the day of his death draws nearer. In the final meeting of Diary owners, he almost erases Yukiteru and Yuno from existence when they fail to appear with the others, but they arrive just in time and reveal John Bacchus as the Eleventh.

With all of the remaining Diary owners' identities revealed, Deus removes the shadows concealing each of them, allowing everyone to see their remaining competition for his throne.Deus is later seen talking with Muru Muru after Minene's attack on John Bacchus, before dismissing her as he went to rest. Deus is soon visited by in his resting sphere, who asks him about John's Future Diary; accordingly, he reveals the nature of the Watcher Diary and relates how he collaborated with to create the Future Diaries.

Deus also takes this opportunity to transfer some of his powers to Minene so that she could stop Muru Muru's scheme to let Yuno win the Survival Game, expressing his suspicions that both Muru Muru and Yuno secretly hailed from the First World where Yuno had already become god. Before returning Minene to her world, he sealed the memory of his revelations within the depths of her mind, intending them to return to her when she was needed as his trump card.By the time of John's death, Deus's condition had degraded to the point where the universe was starting to collapse, creating voids in the world that wreaked widespread destruction. At this time, he was visited by Aru Akise, seeking to confirm if it is possible to resurrect the dead. Contrary to what he implied to Yuki, Deus admitted that he can revive the body of the deceased, but not their soul. He then stopped Akise from leaving, revealing his true nature as the Observer before commenting that he has outlived his role. Slowly vanishing into the Akashic Records, Akise tried to prove that he has a will of his own; Deus calmly and easily disproved each of Akise's arguments, almost destroying him completely until granted him an Apprentice Diary of his own. Amused that Akise was indeed capable of something outside his assigned role, Deus let him live on his own account.Shortly after his meeting with Akise, Deus's body finally collapses entirely, leaving behind a core which would last long enough to grant godhood to the winner of the Survival Game.

In this state, Deus warns Muru Muru that she must allow the game to run properly, as she's restrained by her seals to do so; however, his earlier suspicions proved correct. The Muru Muru that had assisted him throughout the Second Survival Game was actually serving the First World's god: Yuno Gasai, who had similarly replaced her own Second World counterpart in order to spend more time with Yukiteru. As such, Muru Muru was not bound to obey Deus's will, and thus continued with her own plans.During the final battle, Yukiteru received assistance from Minene, who had survived her apparent demise in the battle against the Eleventh when Deus's parting gift activated. With her restored memories and newfound abilities, the former Ninth was able to bring Yukiteru to the third world that Yuno created in an attempt to repeat the Survival Game once more. Deus's core is eventually taken from Muru Muru by her second world counterpart, who bequeathed the core to Yukiteru after he won the game.The Third WorldThe third world's version of Deus was approached by John Bacchus, whose Watcher Diary had gleaned information from Yukiteru's Future Diary after his arrival from the second world.

Learning of his eventual death and failure to achieve his goals, John convinced Deus to cancel the Future Diary project, therefore nullifying what would be a third. As Deus was still in need of a successor, he and John began pondering alternative options for finding a suitable candidate. Deus also tasked Aru Akise with tracking the changes to the third world brought on by the second world's incursion, granting him an assistant in the form of Gremory to aid him.When Yuno unlocked the first world Muru Muru's prison, Deus personally stopped the third world Muru Muru from pursuing her further. He explained that the first world's Muru Muru had viewed the preserved memories of her incarnation of Yuno, seeing the trauma that the Second had suffered in the past two iterations of the universe. As a result, Muru Muru had realized the depth of her own mistakes and sought atonement; furthermore, Deus believed that Yuno's ability to remember and pursue Yukiteru through three separate timelines was a manifestation of fate. As such, he allowed the first world's Muru Muru to transfer 'her' Yuno's memories to the third world Yuno before releasing her to assist his Muru Muru in bridging the gap between dimensions.When Yuno broke the dimensional barriers between the third world and the second world, Deus observed her reunion with Yukiteru.

Since both of them had won a previous Survival Game, he happily named Yukiteru and Yuno as his successors as joint gods of the third world. It is implied that this announcement either killed Deus shortly afterwards or simply designated the two of them as the ones who would receive his core following his inevitable demise.Trivia. Deus Ex Machina is Latin for ' God from a Machine' or ' God of the Machine'.

In fiction, it is a term used to name a plot device whereby a seemingly unsolvable problem is suddenly and abruptly solved with the contrived and unexpected intervention of some new event, character, ability, or object; thus saying 'God made it happen' with no further explanation. This could be a reference to Deus's actions driving the plot of Future Diary, particularly when he directly interferes with the Survival Game; however, it may also be a reference to his pivotal role in the maintenance of reality or the mechanical appearance of his cathedral.

In the English version of Future Diary, Deus occasionally uses the phrase 'wheels within wheels' to describe his plans.Yukiteru wearing Deus' uniform. Deus' theme song is 'Egoist' by Yousei Teikoku. Unlike most of Future Diary's OST, this song was never used in the series. In the third opening of Future Diary (the one used in ), Deus removes his face to reveal Yukiteru's head beneath it, alluding to the results of the Survival Game in the second world.